Showing posts with label Deepti Naval. Show all posts
Showing posts with label Deepti Naval. Show all posts

Thursday, March 19, 2015

NH10 - When Crime is Not Crime

                                                          Film review NH 10 







Let me start from the end. My favourite actress Deepti Naval does what a #khap matriarch will do.

When Meera (Anushka Sharma), finds the sarpanch’s (Deepti Naval) home in the dark night, she collapses into her arms. After all, she has been running through the night trying to find someone to report the murder of two people, a girl and a boy, she has seen only a few hours ago. Her husband, (Neil Bhoopalam), who is lying almost dead, needs help, but the police station will not have Meera’s Report. Totally exhausted, she faints in Deepti Naval’s arms and is kindly carried to the bed and is taken care of, only until she discloses that she has seen this grown up girl with her husband being beaten and killed and buried in the dark, by four men and she needs to report this in order to find help.

Within seconds the sarpanch turns foe and to Meera’s great surprise dashes out of the room and locks her in. Meera has intervened in something that is private and personal to the sarpanch and the people of that village. Meera is now a criminal in their eyes.

“She was our daughter; what we did is what we had to do.” The sarpanch, the khap matriarch’s judgment is final.

In a gruesome tale of violence that literally begins at the very start of the film, honour killing, a tradition followed by the khaps in India a couple is murdered because the boy and the girl had the guts to fall in love and marry outside the community, by none else but her brother, uncle and people from the family, with full consent of the women in the house, the oldest being, Deepti Naval.
Meera and Arjun are Corporate honchos who decide to go on a weekend visit outside Delhi where they are employed. Not that Meera does not face discrimination and sexist remarks on the corridors and conference halls of corporate houses, who see her success as something that has come to her easily because she is a woman, but when she is out with her husband she can see that her body is the target of many abuses like randi, written on the wall of the ladies rest room at the local dhaba, which means in slang language ‘prostitute’.

It is at this dhaba, that she and her husband encounter the four men dragging the screaming woman and her boyfriend/husband into a SUV and driving off. Arjun is anxious to follow, although Meera is not, but as fate would have it, they were destined to see, like the audience, the gruesome death of the couple, in the hands of her family.

The darkness of the night and the foggy weather in northern India, where the film was shot, makes for a difficult run, but finally, Arjun and Meera face as gruesome an end, or almost!

Meera, comes through as a powerful woman figure, fighting patriarchy, or maybe just fighting for her life and Arjun’s in the midst of moments of deep helplessness. Yet, will she be able to save Arjun’s life, who is now flirting with death himself, or if not, then will she join the criminals too, by doing unto them, what they have done to her own husband and the couple they killed beside the highway, NH 10?

If you can stomach violence, blood and gut wrenching screams without throwing up, then watch the movie.

If you can’t then, do so, because you must know what crime, which is not thought of as crime really means to the khaps. You will know, why there is no remorse for taking life, because, given individual(s) fails to follow the rules set by a highly patriarchal society, where norms must be followed and taboo is taboo which results in death if not followed, there is NO Crime bigger than disobedience to the rules.

And law is in the hands of the community not the state.

Does Meera, follow the same norms then, to kill without remorse or to kill for revenge.

Director Navdeep Singh, a masterpiece this! Three Cheers to you!




Cast
Anushka Sharma as Meera
Neil Bhoopalam as Arjun
Darshan Kumaar as Satbir
Deepti Naval
Tanya Purohit Dobhal as Satbir's wife





Tuesday, August 27, 2013

Film review: Listen...Amaya


Director Avinash Kumar Singh was bold to pick a subject close to perhaps many hearts in India – can two people who have lost their partners/husband/wife marry and start a life once again?
In his film Listen.. Amaya, featuring Farooq Shaikh, Deepti Naval, Swara Bhaskar, he dealt with this subject quite efficiently although, he finally tucked his tail under him and fled out, making a statement, that ill disposes women and men in such situation.
Farooq Shaikh is a widower, and photographer. Deepti Naval is a widow who runs a beautiful café called Book A Café. Swara Bhaskar is her daughter, perhaps in the last years of her teens. They both share a very close relationship, until of course Deepti and Farooq develop a liking for each other. The relationship is mature, calm and mellow. However, for Swara ( Amaya ) it is not. She is obsessed with the growing relationship between her mother and the photographer, and is adding a lot of anger and negative emotions to the relationship, by causing her mother a lot of anxiety. Amaya, won’t have her mother have a love life of her own, despite the fact that together with Farooq Shaikh, she has written a Coffee Table Book (Oh! It is such a done thing in 2013, when all and everyone is a writer/author!!) ready for publication. It takes a Chitti ( peternal ) to come from Chennai to make Amaya understand, that there is absolutely no problem, if Deepti moves on. This does not mean that she loves her less, or that Deepti has forgotten Amaya’s father! Amaya suddenly consents to the relationship.
But wait a minute! Director Avinash Kumar Singh, must play spoil sport! He is afraid that the masses will reject the film and so, guess what? He has suddenly made poor Farooq Shaikh a victim of Alzheimer’s and now, Deepti Naval is rendered another blow – she must live with a love that may not ever remember who she is, in time. She is back with the ‘dead to the world of beautiful memories and love’.
The Indian audience loved it. The film received The Best Film (NJISACF), Best Director (NJISACF), Best Director (DCSAFF), Best Actress (NYIFF). India’s age old widows and widowers have been positioned to maintain status quo. No love life, after the death of one or the other!
I say damn! Can’t a director show more mettle? Is his research not complete? If he can make a film, in modern unban India ( Delhi), then has he forgotten that urban India behaves differently. And if you talk of rural India, they too are moving forward. Why should a man/woman, who has lost their partners, live the rest of their lives as widow/er? Communities in India, like Maharashtrians, re-marry with three months of the passing away of the partner. It is a practical step taken. Life is paradise gained, why do directors of films have to preserve dead leaves from regressive social practices of yesteryears?
Films are supposed to affect change. They create a shake- up and a good film such as this one made, could win the hearts of people, and make them think otherwise.
I advocate happiness, I celebrate the will to create your own future and I say, Love and Life are synonymous. When we reject one, we reject the other. And vice versa.
I wish the Director a stronger nerve, next time!

Film: Listen... Amaya
Directed by : Avinash Kumar Singh
Produced by: Ashok Sawhny
Written by: Geeta Singh, Avinash Kumar Singh, Vikas Chandra
Story by: Geeta Singh
Starring: Farooq Shaikh, Deepti Naval, Swara Bhaskar
Music by:  Indraneel Hariharan, Punam Hariharan (lyrics)
Cinematography:  Ramshreyas Rao
Editing by: Geeta Singh
Studio   Turtle on a Hammock Films
Distributed by   Turtle on a Hammock Films
Release date(s)               
February 1, 2013 (India)
Running time     108 min
Country                India
Language: Hindi