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In Search of Heer is a simple tale, starting with the love story of Heer, the beautiful daughter of Mihir Chuchak, a rich landlord of Jhang Syal , and Ranjha, the spoilt and handsome son of an affluent landlord in village Takht Hazara, who are destined to meet and fall in love and marry with the support of Heer’s father, in somewhat of a concealed manner, unlike a big, fat Punjabi wedding, with relatives, from far and near thrown in. The secret is found out by Heer’s paternal uncle, Kaidu Langra, and all hell breaks out as he connives with Heer’s mother, and weds her off to Saida, of the Khera clan, equally, wealthy. But the reader must find out what happens to Heer in this marriage.
In the meantime, Ranjha has realized that he has lost
Heer, and must now find the balm to his broken heart by embracing the spiritual
path. A flutist, whose music has a soul, Ranjha is well nigh liberation but
is again pulled back by the appearance of a crow, which reveals to him, that
Heer is waiting for him and so he must waste no time but proceed immediately to
where Heer is. Ranjha leaves with his flute totally naked of any other desire but
to find his Heer.
In a strange twist of events, Heer finds a friend in her marital home, who is her sister in law, with no less a hidden love story in her
heart and the reader is allowed a peep into what might happen next. Breathe easy. You are about to commence into another rough ride with many twists and turns.
This said, In Search of Heer, is much more
than just a story re-told. There are many lessons to learn from the many voices
that narrate the story – crows, pigeons, goat and each is has a unique voice, I
most loved to engage with. A humungous amount of research has gone into telling
the reader more about each of these animals and birds so that the reader is
enriched in many other ways, understanding the nature of these creatures.
Research has also gone into the life of an ascetic and someone in search of a
spiritual life, which gives solace.
However, for me, the most endearing parts were the role of
Heer as a feminist icon. She exudes courage, valour, willfulness, and is
stubborn and outspoken, uncompromising. Yet, vulnerable and receptive to love
and longing. Her questions are relevant to our times, and many of us can hear
our own voice in her words.
No less enchanting was the spiritual side of the book,
without being religious. It calls the reader to conclude that there are no
short cuts from sex to super-consciousness, except by actually living it. And
the way out is through. The symbolic crow is the id in Sigmund Freud’s psychoanalysis as it were. Love lived in
totality may well be the eternal transcendence we seek as humans.
The book is a living testimony of a skillful hand at work
and an astute intellect that can gather the story from many quarters and
reproduce a new version which appeals to the modern, 21st century
reader and their understanding and engagement with love in its many facets.