Showing posts with label Deepika Padukone. Show all posts
Showing posts with label Deepika Padukone. Show all posts

Tuesday, May 26, 2015

Film Review - Piku, a film of Bengali eccentricities



You have to give it to Deepika Padukone! Sandwiched between two stalwarts, Amitabh Bachchan and Irrfan Khan, she struck out and carved for herself to be acknowledged as a remarkable actress with an unforgettable role as Piku, in the film by the same name, directed by Soojit Sarkar.

Depicted as they come, a serious Bengali girl who is an Architect in Delhi, Piku is single, unmarried yet and a care giver to her 70 year old father, Bhaskor Banerjee, played by Amitabh Bachchan. Bhaskor is inflicted with a condition often a problem with aging people called constipation. Had it remained at that, it would have been fine but it has the Bengali twist to it, that being, constipation has become an obsession with the senior. From morning to night, breakfast to dinner, all conversations are around constipation!

Poor Piku! Needless to say, she is in the thick of having to listen to it and handle her father’s bowel condition, day in and day out. Being a dutiful daughter, she does not show resentment although a war of words ensues every now and then between the two.

Syed Afroz  played by Jisshu Sengupta is a good friend, although her Boss too at work and Piku and he could have made a good partnership, had Bhaskor not played dirty, like most Bengali single, to be read, widowed/widower father was not so selfish. He wanted Piku only to himself.

In the meantime, it is decided that the family house in Kolkata must be sold and Piku and Bhaskor, set off on a long journey to Kolkata by car! Bhaskor is mortally afraid of both Plane and Train, because, he is paranoid that his bowels which are already so reluctant will now create havoc for him.
Come Rana Chaudhary played by Irrfan Khan, the man who is a Civil Engineer but has had to settle to his father’s business of running a taxi service, after being cheated in the Gulf, by taking a job there, but made to do something else. He returned as soon as he could and then, took up his father’s business.

Through the long and quintessential journey from Delhi to Kolkata, Bhaskor and Piku get fond of him and find that even after arriving at Kolkata, they are averse to leaving him. But Rana must return soon to be followed by Piku  - alone.

Having given up the idea of selling the Kolkata house, Bhaskor overdoes his fun moments in Kolkata and leaves all of a sudden for his swargloka, happy as a lark, having had his full measure of fun and also having then forgotten all about his constipation.

Deepika returns to Delhi and its business as usual, with a difference! A game of badminton between Piku and Irrfan is indicative of things to come, in future, perhaps!

This review will remain incomplete with the mention of Chaubi Mashi, played by Moushumi Chatterjee, who is Piku’s maternal aunt, always visiting the family and never stopping to deride Bhaskor Bannerjee, Amitabh Bachchan, her brother-in-law in the film for causing the early death of her sister, by his constant idiosyncrasies.

I give 4 STAR to the film if you are to look at it from the Bengali point of view. It does a wonderful job! But if you are to look at the larger mass, I would give it only 2 STAR, because, unless you knew Bangla and their absolute eccentricities, it would be a film that could not have been watched at all!

Having said that, the director missed out on another Bengali idiosyncrasy, that being gorom joler kulkucchi – a warm water gargle.  But then that may be in the making of Piku II.

OMG!


Cast
Amitabh Bachchan as Bhashkor Banerjee
Deepika Padukone as Piku Banerjee[5]
Irrfan Khan as Rana Chaudhary
Moushumi Chatterjee as Chaubi Mashi
Balendra Singh as Budhan
Raghuvir Yadav as Dr. Srivastava
Jisshu Sengupta as Syed Afroz
Aniruddha Roy Chowdhury as Nabendu
Akshay Oberoi in a cameo




Maushumi Chatterjee boasts of her role in Piku: Click Here

Thursday, April 02, 2015

Out of Vogue!

Vogue Designer Eyewear Brand Ambassador Deepika Padukone
Only a month or so ago, after much negative publicity meted out to film maker Leslee Udwin for her film India’s Daughter, Vogue India has launched its empower series starring Deepika Padukone and 98 other women in a Ad film called My Choice, made by Homi Adajania. The video which has gone viral has lines that have been repeated over and over again, in the last two to three years, with regard to women’s choices around her body, her mind. The debate on women’s body and choices has been central to the women’s movement in India, and has been gaining force and strength in the last few years. It is clear that women in India want to break out of the shackles of male controlled patriarchal domains in private and public life.  

The film made for the consumption of HNI consumer in urban India, with purchase power, is a poor representation of women in India. While it might be said with some certainty that women in India have come out in the open and are leading from the front, when one actually goes to see, the percentage of such women is a minuscule amount as against her male counterpart (See HERE) Moreover, she is still battling regressive attitude from both genders against herself. In any case, she has fought to come up front and continues to fight for herself, even after that. We can certainly say that she is struggling to make her place in the workforce and become visible in public spaces. She is empowering herself. Despite this, it is not as if she is not fighting her own doubts, about herself.

The truly, autonomous, individual woman, is yet to emerge here in India. Be that as it may, there are many highly empowered women in India who are from the film industry even, who could have featured in the Vogue India ad.

Deepika Padukone, has always come across as a wimp. Whether in private life or on screen life, she has not made a Statement for herself, which could have made the vast many women in India hold her in high esteem and emulate her as a role model. Thus, choosing her for the ad, was a mistake, because, she fails the test in marketing the idea of an empowered Indian woman. At best the ad will bring to the fore, the issues women face in India, by giving it a celebrity endorsement. Whether male attitude changes positively towards women, our need as Indian women to claim back ourselves in every sphere that affects our lives, becomes critical.

I would say that the film has done far more for Deepika’s flagging image in the filmy world than it has done for Vogue India. The lines are clichéd and have now become used and abused many times over. I wish the film made one single statement, instead of so many words, blurring one into the other, creating a sense of euphoria. All bubbles, no substance.


Saddled with one after another film that failed the Box Office, in fact her PR Agency has tried to make much ado about the exposure of her cleavage in Finding Fanny (check on Twitter @HotDeepikaPadu )so that by using negative publicity, the film could muster up money. The strategy failed and she has come across an actress, who continues to use her body and her love, for publicity and to make her films run. Given this background, sadly, Deepika must climb the first step to self empowerment. And Vogue India, must apprentice a few more years in India, so that she is not blissfully clued out of what is the real Indian woman.






Also read

Radhika S in TheHindu

Sudhir Srinivasan in The Hindu 

References:

Women in Labour Force in India: HERE


Vogue Eyeware Brand Ambassador: HERE

And HERE

Image credit: HERE

NOTE: Views expressed here are the author's only.